Since the war, La Dalia has mostly been a gang-zone dive frequented only by calloused old men. In the last few years, though, the area surrounding Plaza Libertad, just outside La Dalia’s window, has added a decorative fountain and benches. The Libertad movie house has turned on its blue neon Libertad sign, even if the theatre’s still closed, and art galleries have sprung up.
The next day, I take lunch at the swank Asu Rooftop Lounge, where the chef, Melissa Francois, serves me chicken in a creamy sauce made lemony yellow and vaguely bitter by a mild citrus fruit common in Haiti, the yellowish-green, orange-size bergamot.
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Made of cotton fabrics the shark features not only a row of scalloped white teeth but also fins and fish eyes. With a back entrance the cat can fully stretch out inside this bed.
It’s All Good Eatery, 20 Cedar Ave., Ephrata, opening, July 16. Ware-washing sink does not have basins large enough to accommodate large cutting boards for manual ware-washing.
I seek out Simón Vega, who, at 46, is El Salvador’s most well-traveled artist, having shown his sculptures in Italy, Austria, Cuba, Dallas and at Coachella, the California music festival. Vega’s work is at once larksome and deep. He makes spaceships – funky, fantastical, nonflying vehicles imbued with both the sleek glimmer of actual rockets and the ragged disorder of a street vendor’s stall. His installation "Third World Space Explorers," now showing at MARTE, looks at first like a homeless encampment dumped mid-gallery. There are two wheeled carts and, beneath one, a massive, mysterious lump that is the size of a truck tire and wrapped in a wrinkled blue tarp. The carts are appointed with all kinds of jury-rigged shelves, and weird, junky gadgetry is affixed to them: a mirror, a Rubik’s Cube, segments of garden hose.
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The exhibit will be included in the cost of general admission, which runs $14 for adults, $12 for seniors, $10 for students (with ID), $8 for children aged 5-15; and free for children 4 and under.
“You’re exactly right,” Rader replied. “That’s just what I worry about, that all this money is being spent without guidance from the marketplace. We don’t know where the customers are or what they are doing. Right now, we try to find this out through our own sales force, but it is of limited help.” Rader looked up and added, “If somebody could put together a database that described where computers were now installed, what their configurations were, what people wanted to have in the future, what are their key applications, what new peripheral devices they wanted . . . that would be very helpful.”
To wrap things up this month, pop group Why Don’t We is headed to Broomfield to headline the 1st Bank Center. Why Don’t We is one of the younger groups in the industry as they formed in 2016, however they exploded fast and continue to rise in popularity. If you’re unfamiliar with this group, check out their 2019 single “Cold In LA” to get yourself started. Tickets are now on sale to see this group in action, so act quickly before it’s too late.
Like the box, many of the items in the Clifford household have a personal story tied to them. One of their favorite Christmas decorations, for example, is something Chris has had since he was in grade school.
Sigh.. You just can’t help yourself Grant. You have to argue even if your point flies in the face of logic.
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